DOI: https://doi.org/10.15575/sksm.v2i1

Diterbitkan: 2023-07-14

Articles

THE WOMAN’S EXISTENCE IN WALTER TEVIS’S THE QUEEN’S GAMBIT

Rima Sarah, Tenny Sudjatnika, Agry Pramita

1 - 13

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SELF-RELIANCE CHARACTERISTICS IN TAYLOR SWIFT'S SONGS: A STUDY ON LYRICS AND MESSAGES

Marwah Marwah, Deni Suswanto

14 - 24

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IDEAL ROMANCE FORMULA IN THE MOVIE SCRIPT OF EMMA (2020) AND PERSUASION (2022): COMPARATIVE LITERATURE

Yasmin Rifdah Luthfiah, Hasbi Assiddiqi, Udayani Permanaludin

25 - 42

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WITCHES’S RITES THAT OCCURRED IN TV SERIES: CHILLING ADVENTURES OF SABRINA

Yudha Nur Widiananta, Bunyamin Faisal, Yoga Sudarisman

43 - 54

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RELIGIOUS DOGMA IN SEBASTIÃN LELIO’S THE WONDER (2022)

Anisa Hanifah, Mahi M. Hkikmat, Nurholis Nurholis

55 - 63

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“BREAD & ROSESâ€: SOCIOLOGICAL ANALYSIS OF LITERATURE AND ITS RELEVANCE TO THE PRESENT IN THE CONTEXT OF THE WORKING CLASS

Faza Fauziyyah

64 - 81

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ANALYSIS OF THE HEROISM OF THE FEMALE CHARACTER IN J.S KHAIREN'S NOVEL MELANGKAH

Kinanti Arti Nazihah

82 - 93

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MALE ROMANCE FORMULA IN FORREST GUMP MOVIE (1994)

Vidi Rutsyamsun, Lili Awaludin

94 - 114

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